WHAT IS GYOTAKU
Gyotaku is a traditional Japanese art form that involves the printing of fish and other marine life. This technique originated in the mid-19th century as a way for fishermen to record their catches. The process typically involves applying ink or paint directly onto the surface of the fish.
After the fish is coated, a handmade rice paper directly sourced from japan is used and is pressed onto the surface to create a print, capturing the intricate details and texture of the fish. The special rice paper has certain personalities that the artist has become familiar with over the years. The initial print is often regarded as the most important as it lays a path for the rest of the painting.
HOW I STARTED
Fishing began as more than just a hobby for me; it evolved into a profound obsession. I cherished those early mornings and long days spent on the water, where skill and hard work along with occasional luck was the only way you could earn respect. My journey started as a young kid working in a tackle shop and blossomed into a career as a charter captain in California, an experience that has shaped my life.
My mom’s side of the family comes from Kaua’i where the rich fishing culture and Japanese influence significantly inspired me. Four years into my captain's career I began taking my catches home to create Gyotaku paintings. Balancing long days at sea and late-night painting sessions, I dedicated myself to both pursuits vigorously.
A surf trip to Costa Rica six years ago changed everything, leading me to a paradise where I could surf daily and enjoy world-class fishing. Over time, my visits grew longer until I decided to fully embrace my passion for art. Working in the humid jungle environment required resilience and adaptability, and through trial and error, I've honed my self-taught skills. I meticulously source quality materials from Japan, using only my surfboard bag to transport them.
My work is driven by a commitment to perfection, inspired by the Japanese principles of dedication and discipline. The fusion of my fishing experiences and artistic pursuits not only pays homage to these principles but also connects me deeply to the cultures that influence my work.
NAME STAMP
A hanko is a personal seal traditionally used in Japan as a substitute for a handwritten signature.
The stone I use for my hanko was harvested from a certain region in japan and handcarved. I also use a traditional red ink made from harvested seal fat. Small details giving the paintings a truly special touch.
PROCESS
Dragon Cloud rice paper is a handmade gem from Japan, crafted from a rare blend of kozo and mulberry. Its exceptional texture and flexibility make it an ideal medium for a variety of artistic endeavors. Originally used for delicate fish impressions, this rice paper has inspired me to push the boundaries of my creativity. Its unique surface captures vibrant colors and intricate details, breathing life into my artwork. This paper I use provides a rare opportunity to experiment with a medium that beautifully blends tradition and innovation.
It’s been a journey of artistic exploration as I have worked to uncover the endless possibilities of this extraordinary paper, transforming nature’s beauty into captivating prints that resonate with individuality and charm.
I like to think I distinguish myself from other artists through my unique approach to color application and material choice. Each artist has their own distinctive style, especially when it comes to integrating colors, influenced by the variety of paints, pencils, charcoals, and inks available. The interaction between these mediums and the paper chosen plays a critical role in the growth and evolution of an artist's work.
For me, Dragon Cloud paper has become my primary canvas. Its specific characteristics allow me to understand and explore the boundaries of my creativity while respecting the intrinsic nature of the paper. This deep connection informs my artistry, enabling me to create pieces that are not only visually striking but also technically informed
The art of wet mounting “Urauchi” is a delicate and crucial second step in my creative process. This technique involves applying a specially formulated paste to the painting while laying it on a flat surface, such as glass. The moisture from the paste allows the painting to stretch, creating a smooth and even surface. While the process requires a gentle touch and steady hands—since any mistake has the potential to tear the artwork—trusting in the technique brings stunning results.
Once fully dried, the painting is carefully peeled from the surface, revealing a beautifully mounted piece ready for framing. Each step in this process enhances the character of the artwork, transforming it into a true masterpiece.
